The staging of discrimination

The staging of discrimination

Authors

  • Patricia Oliva Barboza Universidad Estatal a Distancia (UNED)

DOI:

https://doi.org/10.22458/rr.v1i1.1119

Keywords:

Desigualdad y arte, mujeres artistas, invisibilización de mujeres artistas, arte y feminismo

Abstract

The aim of this article is to share the perceptions of inequality that Costa Rican women artists experience. In Costa Rica's art history, women appear as founders/formers of the first academies of ballet and dance, prominence that makes it even more urgent to unveil the transformation processes, levels of perception (as generations of the artists) and discover their concerns regarding possible signs of power and invisibility. The analysis is constructed from interviews. This article is the first window to look and question whether dominance and patriarchy have their own ways in the world of art is already an achievement, while shows the participation and the career of women artists.

Author Biography

Patricia Oliva Barboza, Universidad Estatal a Distancia (UNED)

Máster en Violencia de Género por la Universidad de Costa Rica. Activista feminista. Facilitadora en grupos de apoyo: Apropiación del cuerpo a través de la danza. Investigadora del Centro de Investigación en Cultura y Desarrollo de la Universidad Estatal a Distancia de Costa Rica

Published

2016-01-01

How to Cite

Oliva Barboza, Patricia. 2016. “The Staging of Discrimination”. Revista Rupturas 1 (1):1-27. https://doi.org/10.22458/rr.v1i1.1119.

Issue

Section

Artículos
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