Diverse Archive Costa Rica Part 2: Brush Strokes of Art with Diversity

Authors

DOI:

https://doi.org/10.22458/rr.v10i2.3023

Keywords:

archive, diverse art, feminism, transgression, diversity

Abstract

If there existed a constant registration of the expressions of diverse art in the country, we would notice its relevance and there would be an increase in this kind of artistic creation. The objective of this article is to present a new series of accounts that add up to the construction, not just of an archive, but of a collection that grows, establishes itself and gets stronger, despite its little or non-existing display. Mohanty, theoretical feminist, recognizes that “the best theory transforms personal experience and accounts into something conveyable” (Mohanty in Bach 2010, p. 60). These 10 new expressions remind us of the relevance of art as an element of denunciation through which dissidence may be visualized, demonstrating its creative power. It is my aspiration that in the not-too-distant-future these artistic expressions become part of a same and unique palette.

Author Biography

  • Patricia Oliva Barboza, Distance State University

    Magister en Violencia de Género por la Universidad de Costa Rica, Costa Rica. Facilitadora en grupos de apoyo: Apropiación del cuerpo por medio de la danza. Practicante de danza moderna. Investigadora feminista, interesada en temas sobre corporalidades y arte, integrante del Centro de Investigación en Cultura y Desarrollo de la Universidad Estatal a Distancia de Costa Rica, Costa Rica.

Published

2020-06-29

Issue

Section

Suplemento: Arte, archivo y diversidad: entre el registro vivo y la teoría

How to Cite

“Diverse Archive Costa Rica Part 2: Brush Strokes of Art With Diversity”. 2020. Revista Rupturas 10 (2): 143-69. https://doi.org/10.22458/rr.v10i2.3023.

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