Compilation and dissemination of the cultural heritage of Nandayure and Liberia through the production of two documentary feature films
DOI:
https://doi.org/10.22458/rpys.v18i1.3089Keywords:
audiovisual, documentary, Guanacaste, Liberia, NandayureAbstract
The historical and cultural richness along with the diversity in natural resources in Guanacaste, Costa Rica empowers communities of this region to be an ideal place for producing educative documentaries. Recent developments in social media promotion and in electronic intelligent devices stimulate the inhabitants of that same communities to watch and enjoy this form of audiovisual research. It is necessary to promote these audiovisual productions in social networks for native people of guanacastecan towns in order to appreciate their own culture, origins and history reflected in those documentaries. Investment in social media promotion strategies should be planned within public universities as part of their extension programs. Financing these strategies should be part of the production logistics in offices dedicated to educative audiovisual production. It is also important for documentaries to become exterior windows for traditions that have been filmed and watched in other countries outside Costa Rica. There are different routes to make it possible, but a very important one is the inscription of these documentaries in international film festivals and also to participate on international movie competitions. Two examples of these documentary products are «The Lands of Princess Nandayure» and «A Festival in Liberia»; both produced by the Audiovisual Production Center of the State University of Distance Learning in Costa Rica.
Downloads
Published
Issue
Section
License
Aquellos autores/as que tengan publicaciones con esta revista, aceptan los términos siguientes:
-
Los autores/as conservarán sus derechos de autor y garantizarán a la revista el derecho de primera publicación de su obra, el cuál estará simultáneamente sujeto a la Licencia de reconocimiento de Creative Commons que permite a terceros compartir la obra siempre que se indique su autor y su primera publicación esta revista.
-
Los autores/as podrán adoptar otros acuerdos de licencia no exclusiva de distribución de la versión de la obra publicada (p. ej.: depositarla en un archivo telemático institucional o publicarla en un volumen monográfico) siempre que se indique la publicación inicial en esta revista.
-
Se permite y recomienda a los autores/as difundir su obra publicada en la Revista a través de Internet (p. ej.: en archivos telemáticos institucionales o en su página web).
